Six unhurried portraits of one fishing village across one year — from the season the trawlers come home to the season they don't. Filmed in 9:16, chronological order, four trips, one calendar.
Six unhurried portraits of one fishing village across one year, from the season the trawlers come home to the season they don't. Filmed in 9:16 on a single rented Sony — chronological order, four trips, one calendar.
Six unhurried portraits of one fishing village across one year, from the season the trawlers come home to the season they don't.
A derelict North-Atlantic radio station picks up a transmission that has been wrong since Tuesday.
Waystations along the Camino. Boots come off. Maps come out. Four episodes, one route.
The graveyard shift. Six businesses, six closing rituals, six rooms going dark. Eulogies for the smallest things.
The full saltwater triptych: eight cuts of one Pacific port from dawn to dusk to dawn again. Joel's debut series.
A boat-house no one has opened since October. The series adds episodes whenever Anya gets the door open.
On the subject of seasons: we believe a short film is a complete object. We also believe six of them in a row, made by the same person across one year, can be a different complete object — a season — and that the difference matters.
This is why CINEMA SHORTS treats series as rooms, not as feed. Each room has a programme. Each programme has a midpoint. At the midpoint there is one ad, paired by category, exactly as long as it needs to be, and never longer than ninety seconds. If you pay for House you skip it. If you don't, you watch it, and the filmmaker gets sixty cents of every dollar that lands there.
We do not use coins. We do not unlock episodes. We do not write the words cliffhanger or obsessed on any panel. We don't tell you what other people are watching right now, because right now is none of our business — yours either.
The series live alongside the single cuts. Some weeks you want a programme; some weeks you want a single shot. Both are correct.
Dark theatre, 9:16, autoplay queue with editorial breaks. The room runs on its own; you decide when to leave.